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- ISSN: 2382-6177
- Abbreviated Title: Int. J. Cult. Hist.
- Frequency: Quarterly
- DOI: 10.18178/ijch
- Editor-in-Chief: Prof. Mladen Milicevic
- Executive Editor: Ms. Mia Hu
- Indexed by: Google Scholar, Crossref
- E-mail: ijch@ejournal.net
IJCH 2016 Vol.2(2): 79-82 ISSN: 2382-6177
doi: 10.18178/ijch.2016.2.2.042
doi: 10.18178/ijch.2016.2.2.042
The Design Meaning and Method of Grain in Chinese Aesthetic Taste
Zou Weihua
Abstract—Knowing the design meaning and method of grain in Chinese aesthetic taste could make a significant effect to the design of new Chinese style furniture products. According to the differences of sawn direction of ring and the ring of different kind of wood, could generate various grains which main include straight grain, cured grain, coarse grain and fine grain. Each wood grain has own unique original form of grain and design meaning. Grain’s artificial integration form becomes a kind of way that can get perfect texture in new Chinese furniture products and can ensure quality of entire wood. In grain’s artificial integration form, the method of design main include the integrated design about straight grain, cured grain, coarse grain, fine grain.
Index Terms—Chinese aesthetic, original form, artificial integration form, straight grain, curved grain, coarse grain, fine grain.
Zou Weihua is with Central South University of Forestry & Technology, 410004, Changsha, Hunan, China (e-mail: weibick@sina.cn).
Index Terms—Chinese aesthetic, original form, artificial integration form, straight grain, curved grain, coarse grain, fine grain.
Zou Weihua is with Central South University of Forestry & Technology, 410004, Changsha, Hunan, China (e-mail: weibick@sina.cn).
Cite: Zou Weihua, "The Design Meaning and Method of Grain in Chinese Aesthetic Taste," International Journal of Culture and History vol. 2, no. 2, pp. 79-82, 2016.